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The spatial alignment (floor plan), walls, doors and windows of the three rooms of the atelier, which had still preserved some traces of the former milieu of the bourgeois apartment located in Josephstadt, Vienna, defined, in the given spatial and temporal situation, the basic scheme of the exhibition, which itself was loaded with meaning, and in which the differences and similarities between the human, intellectual and artistic stances took shape (were incorporated).

The concrete subject of the exhibition was the duality and unity of the Jewish and Christian religion and culture, but in 1985 it was impossible to use such unequivocal terms publicly. Csutak has adjusted the structure of the environments to the Gallerys space. The most important change compared to the 1985 configuration is that one of the rooms in acb Gallery has no windows, therefore the windows with the cross motifs that had become emblematic are now missing.